Do Ho Suh
‘’ I see life as a passageway with no begining and destination ‘’ says Suh, ‘’ We tend to focus on the destination all the time and forget about the in-between spaces . ‘’
In exquisitely made works, Do Ho Suh explores contemporary arrangements of space and the unstable boundaries of its categorisation along lines of individuality and collectivity, physicality and immateriality, mobility and fixity. The exhibition I visited in Victoria Miro Gallery , was inspired by his peripatetic life . Do Ho Suh has Long ruminated a Physical structure and a lived experience, the boundaries of identity and connection between the individual and the group across global culture. Meticulously replicating the architecture of the places in which he has lived and worked in his life-time ,in which the translucent fabric structure give form to ideas about migration, transience and shifting identities. These Idea are further conveyed in his Hub works , where transitory, connecting spaces between rooms, express metaphorically about movement between culture and blurring of public and private as well as reflecting on the artist’s own life. His point of view provoke me to take to use the continues feature of the thread in my works. And Also it was inspiring for me to fabricate a corridor like as in Do ho Suh this corridor to show this movement through my works , with the endless threads. Furthermore, to move through these delicately precise, weightless impressions is to experience a distinct emotional register, a sense of being in flux, crossing boundaries and moving between psychological states.
Antony Gromly
One of Antony Gromley sculptures drew my attention to do research about his other works .However his other works were totaly different from my installations, but his point of view and the interactivity of his works was the common connection between our practices . Antony Gormley is widely acclaimed for his sculptures and , installations and public artworks that investigate the relationship of the human body to space. His work has developed the potential opened up by sculpture since the 1960s through a critical engagement with both his own body and those of others in a way that confronts fundamental questions of where human beings stand in relation to nature and the cosmos. So Gormley prospective opened up a new window to my work in the way of adding human interaction to my piece. Furthermore continually tries to identify the space of art as a place of becoming in which new behaviours , thoughts and feelings can ariseAntony Gormley is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space. Specially one
of his work has developed the potential opened up by more abstract sculpture which made a since the 1960s through a critical engagement with both his own body and those of others in a way that confronts fundamental questions of where human beings stand in relation to nature and the cosmos. Gormley continually tries to identify the space of art as a place of becoming in which new behaviours, thoughts and feelings can arise.
Naum Gabo
In a visiting to Tate Britian I came across Naum Gabo’s work which draw my attention to do a research about his works and point of view.
Naum GAbo was associated with the Constructivists at the time of the Russian Revolution of 1917.A method known as 'stereometric construction' was central to Gabo's work, by which form was achieved through the description of space rather than the establishment of mass. which it helped me to steadly firmly staying more precise and and keep far away from mess constructions in my works. Gabo worked additively, building his sculptures piece by piece to create precise, linear forms, buoyed by lightness and dynamism. His works were mostly abstract and architectural, like Column (c. 1923),Rather than carving it out of a single block, he built Column up into space by means of a rational geometric vocabulary. The result is a virtually symmetrical sculpture composed of transparent and intersecting vertical planes, exposing the work’s axial center. Gabo sought a new visual language that was in sync with society and humanity, with space and time as its basic elements.
Fred Sand back
Sandback is primarily known for his Minimalist works made from lengths of colored yarn.His yarn, elastic cord, and wire sculptures define edges of virtual shapes that ask the viewer's brain to perceive the rest of the form. In that way his work can be considered visionary or imaginative, as well as minimal and literal. Sandback himself referred to his sculptures operating in pedestrian space, acknowledging both the viewer’s movement through a space and as something to be engaged actively.By stretching single strands of yarn point-to-point to create geometric figures, Sandback’s near intangible objects nevertheless amounted to precise and subtle delineations of pictorial planes and architectural volumes.
